Around the 2000s, the personal, once again, became political and a new generation of female poets has since been addressing the globalized, mediarised reality through themes such as gender, identity and the body.Through their poetry, connections are created between intimate, bodily affairs and global issues such as war and climate change as well as questions surrounding white privilege and the traces of colonialism. Among today’s female poets are Mette Moestrup, Aase Berg, Ida Börjel and Gerður Kristný.
After the millennium, globalization and the migration of women from economically unstable countries to the West became a theme in literature. The conception of a global sisterhood was challenged by the reality that many encounters with “other” foreign women were manifestly encounters between an employer and a domestic worker and thereby entailed a superior-inferior relationship. Reflections upon the unequal power relation between women from the Nordic region and their oppressed “sisters” is expressed through au-pair novels, literature about female refugees as well as docuseries and comic strips about the encounter with oppressed women from outside Europe. Examples of authors working with these issues in a literary context are Kirsten Hammann, Sara Kadefors Aasne Linnestå and Åsne Seiersted.
Greenlandic literature from 2000 onwards is concerned with, amongst other things, language politics and national pride and with moving beyond the old colonial narratives of power and powerlessness.Whereas Greenlandic authors have, in the past, written primarily for a Greenlandic audience, more recent Greenlandic literature has undergone various changes and become more internationally oriented. Among some of the new leading Greenlandic voices are Jessie Klemann, Julie Edel Hardenberg and Katti Frederiksen.