The Finland-Swedish writer, Monika Fagerholm, combines, in one book after another, the reader-friendly characteristics of realism – plot, strong local colour, and interesting characters – with a bold revival of the storytelling of traditional prose in unusual ways. She entertains and experiments; she has her cake and eats it, too.
The change of decade from the 1980s to the 1990s was interesting and eventful for Swedish minority literature in Finland. Epic depth, psychological intensity, and fully formed characters, a rich subject matter integrated in a convincing intrigue, narrative skill, and consciousness of form, interesting metafictional reflections, and the ability to create suggestive fictional universes – all these technical virtues of the novel are found richly represented in the new golden age of Finland-Swedish prose, which, furthermore, is dominated by women writers.For the Finland-Swedish poets who made their debuts in the 1980s and 1990s, “women’s poetry” is no longer relevant. “Use” poetry has done its part, and consolidating sisterhood and agitation are no longer necessary. The interest is more in poetry as language.